Dayton Landmark Art Quilts: Mendelson's

Nestled in the north end of Dayton, just opposite 5th/3rd field, home to the Dayton Dragons, a farm team for the Cincinnati Reds, stands Mendelson's Liquidation Outlet.  Old industrial buildings fascinate me and I loved Ronnie Doyal's shot of Mendelson's....although there were a lot of people who complained that we picked it as a "Dayton Landmark."  When we thought of the project, it was things which were recognizably Dayton, not that it was a point of pride, a long time standing institution or whatever...and since you see the name emblazoned on the building when you drive past, or when you are at the ball park...well, it fits the bill, not matter how much people complained about it.
I felt that the shot offered lots of interesting tidbits for people to try.....but of course, I lusted after the water tower.


Chris Landis got the first slice.  I loved how she handled this.  Chris is a consummate quilter and has a machine quilting business, Feather Creek Quilting.  For her segment, she took the sky and interwove pieces.

you can see her quilting and what I mean a bit better here in this detail. I also loved the way she handled the trees.















Carroll Schleppi drew the next segment and had some really lovely graphic elements to play with.  Carroll chose a batik with an overprint of a metallic...sort of lightening bolt fabric. It is fairly subtle until you see it up close.

 The next segment belongs to Liz Schneiders.  The really cool thing about Liz' piece is that she bought all the fabric for her piece at Mendelson's!  Work clothes, etc. On the back side of it, she included labels and price tags for her purchases, and made a pocket to hold a card about Mendelson's in it.  Pretty cool!












Here's the front.  I love how she made the smoke rising out of the stack, even though in the original photo  it wasn't present.  That graphic smoke broke up the sky and gave it a lot more interest.  I love the shading and the lines made by the stacks and the windows.

The lucky bum who landed the water tower was Sue DeSantis.  Her tower is extremely faithful to the original photograph.  I love the contrast of the back ground of the sky to all the other artist's skys....and I especially like how it references traditional quilting.  Like Chris, Sue also does custom quilting on her long arm and like Chris' work, her quilting is to die for!  We are so lucky to have so many talented people in our group.

I apologize that this is taking me longer, but I have been having a very tough time with this round of chemo and find that I am often just too tired to sit down and right...in some cases, I've sat struggling with the photos and my stupid very old computer trying to get the posts up, but fail when my eyes are just too weary!  The quilts will continue at the Schuster Center through June 24th.  I can't wait until we can actually put them up WITH the photographs which inspired them.  So far, you are the first people seeing them together, so you should feel very special indeed.

Dayton Landmark's Quilts--Interpreting photos by the slice!

Dayton Landmarks as hanging in Schuster Center. L - R: Mendolson's, Sue DeSantis,  Carrillon,  Dayton Skyline (part 1, Carroll Schleppi, Dayton Skyline Part 2, Lisa Quintana, Sacred Heart Church, Dayton Art Institute, Mindy Marik, The Arcade

Some of the craziness I was participating in last week was the installation of a series of "slice" quilts at the Schuster Center for the Performing Arts in Dayton, Ohio.  These quilts were a long time in the hanging.  In about 2009, a group of us had seen the "slice" quilts at the National Quilters Association show in Columbus and we thought we wanted to give it a go.  The quilts in Columbus were scenes of a river, which flowed from one piece into another.  We thought we'd do scenes of locations which were readily recognized as Dayton.

At first, we contacted some photography groups in Dayton to see if they were interested.  When no one responded, we asked our own Ronnie Doyal who is an art quilter and pretty danged good photographer working with David Lorenz Studios in Dayton.  Ronnie took a series of shots and three of us, Lori Gravley, Mindy Marik and I, looked at the images and chose which ones would be best to be divided into segments and then handed out to Miami Valley Art Quilt members to interpret in cloth.

We had sign ups, where everyone who was interested in a particular image put their names in a "hat" and we drew to assign segments.  Some of us did more than one....all of the quilts were to be 42" long, with the width being proportional in order to make sure that the show would look good when hanging with all the segments completed.

This wasn't without trauma as some of the places doing photocopies were less than accurate in their segment lengths.  This is Ronnie's photo of the Carillon Tower at Carillon Park.  I fell in love with the dramatic lighting...taken just as the sun went down.

Here's how Sue DeSantis and I interpreted the piece.  My "slice" is on the left, and Sue's is the right.  Sue used a commercial gradient fabric in teal as her background with a selection of greyish neutrals for the tower.  Her bells are small craft bells.  She quilted it on the diagonal and put small hot-fix crystals to show the evening stars.  My segment was made with a rust dye fabric with tea to give it the greyish look.   The trees are made with a machine lace, which was cut away in segments to let the yellow glow show through.  The blue background is a commercial batik which unfortunately, I was only able to obtain in fat quarter sizes, so I had to piece it.  I used organza ribbon to give the shadow on the pylon.  Unfortunately, I learned too late that organza tends to run away from your presser foot.  I think if I use it again, I'll glue it down first, or fuse so I can get a perfectly straight line.

Lori Gravley, Mindy Marik and I chose to do the Dayton Art Institute in order to show our members what we meant.  I particularly liked how the wording came out "Dayton Art" which we took to be our theme, and our thought was that in future shows this would be the introductory panel.  Lori took the left panel, I had the middle, and Mindy took the right.  I used rust dyed muslin for the body of the building, and over-dyed a piece of peach colored polyester moire for the roof.  I also used various ribbons for the metal parts on the door.  Mindy used various neutrals to replicate the blocks of the building, and Lori made hers from a commercial print.  I think it is pretty interesting how the colors really blend and give the feeling of being on the same building.  My section of the steel sculpture is made with a polyester metallic knit which I fused with sheers, and I can't remember what all to give the illusion of the reflection in the steel.  Lori used various commercial prints.  All of us edited out the various posters and notices (such as the hours) in order to make it a better composition.

Over the next several days, I will be showing more of the pieces.  They will be on exhibition at the Schuster Center until June 24.   The center is open from 7:00 am until about 11:00 pm, after the last show Tuesday through Sunday.  Mondays the building is open for viewing from 7:00 a.m. until 6:00 p.m.  We will be showing the quilts with their photographs at two other venues this summer and fall, and will be announced as soon as we have the details straightened out.

Thermofax Workshop with Shelley Brenner Baird

 Today, Maxine Thomas, Deb Bentley, Sue DeSantis, Mindy Marik and I ventured over to Columbus to do a workshop on printing on fabric with thermofax screens with Shelley Brenner Baird.

Shelley had lots for us to do while we were there....Seeing Shelley is always great fun and her workshop just continued that fun.  Shelley made each of us small thermofax screens with images we provided so we could see the whole process.  Then, we went to town printing on various fabrics we had brought along.

The first image you see here is an interesting set that Maxine Thomas did.  She printed on gauze and had a layer of fabric underneath to get what when through the thin gauze.

Debra Bentley brought along some commercial prints which were "old" and not something she would use anymore.  One piece was a decorator weight, coarsely woven  material printed with a funny green print.  Deb's overprinting with the thickened dyes were just wonderful.

Mindy did some really fun stuff, and what she's working on in the last photograph shows a piece of vintage fabric (a slip I think which had lace inserted) which she had dyed a plain color, and now she was working up a print to go over the top.

I didn't take too many pictures, and didn't get any good ones of Shelley and Sue because I was too busy printing my own.

It's now batching under it's own electric mattress pad, all nice, warm and cuddly.  I won't be able to see what came out of it until tomorrow, but since I was only working with plain PFD cotton and a piece of burlap (all that I could really pull together this week) I will probably do some over-dyeing as well as adding extra stuff....whether it be foiling, or paint or....

Yes...thermofax....the old, out of date mimeograph machine which so many tatoo artists now use for making their stencils....only we use a different material.

Winter Gift Exchange from Miami Valley Art Quilt Network

It's been kind of a busy weekend....although I don't think my husband quite understands what I do all day even though he's been home with me for the week.

Yesterday was the Miami Valley Art Quilt Network's winter gathering.  We used to hold a holiday party in December until we realized that life was just too busy then and we decided to hold it on our regular meeting day in January.

As part of our tradition, we make small quilts to exchange.  They can be post card sized, like Ann Diller's snowflake card here, or much larger, but most are usually no bigger than about 10" x 15".

I really think that Ann did a cute thing with her "Stamp" and signature.  We never know who is going to end up with our handiwork as we usually use some distribution game.  I didn't make one this year because I have been working on some pieces for the Studio Art Quilt Associates OH Regional show, plus spending A WHALE OF A LOT of time working on the exercises for Elizabeth Barton's "Inspired to Design" class on Quilt University.  Once again, I'm frustrated as I am not able to draw as I once did...maddening.

I've also been freezing to death....even though our winter has been warmer than usual and today was in the lower 40s.  I think that the numbness in my feet makes them feel really cold.

At any rate, that's why I decided to share the two "cold pieces" with you today.  This one is Sue DeSantis' Snowflake.  I'm sorry these are a little blurry...something seems ot be happening to my little Sony Cyber-shot....but it is odd that the quilt is a little blurry, but on both of them, the piano bench is in great focus.

Don't forget, if you want a chance to win the copy of Art Quilt Master's Volume 2, go to my blog post for Jan. 18 and leave a comment before 11:00 pm EST Wednesday, Jan. 25th.  One comment to a person please....

And I thought this was Supposed to be Easy.....

Carillon, left side by Lisa Broberg Quintana, right side by  Sue DeSantis

Last week Thursday, Sue DeSantis, Carroll Schleppi and I went to David Lorenz' studio to take the photographs of the "slice" quilts we did for the Dayton Landmarks Project with the Miami Valley Art Quilt Network.  Ronnie Doyal took photographs of places in and around Dayton which are familiar landmarks.  We divided the photographs giving each quilter a portion of the photograph to interpret in cloth.

Most of them are finished.  Since we are waiting for three segments to be done, we decided that we would shoot them as individual slices and then Ronnie showed me how to merge them using Photoshop.  I have Photoshop Elements(PSE)  7 loaded on my computer, and had purchased PSE 9 in June but hadn't loaded it because I thought that this computer (c. 2003) was going to die at any minute.....it still might...  I had Barbara Brundage's "Missing Manual" for PSE9 so I thought I was in pretty good shape.

Not.

For one thing, I spent hours trying to get PSE9 to load, chatted on line with Adobe techs, and finally called to find out why it wouldn't load.  According to the telephone guy, PSE9 has some incompatibility issues with PSE9.  So....back to figuring out layers, magic extraction tools, making a blank document and joining the segments....  I decided that I would do Sue DeSantis and my piece on the Carillon in Dayton as it only had 2 segments.  Sue had completed hers first, and I did mine second.  

Well....I don't like the job I did with PSE7....and I certainly don't like the 18 hours of time it took me to make the join...but I'm hoping that the next segment might work better...You'll notice that I matched the tops OK, but the bottom overlaps and I can't seem the grab that part and move it over..there's only so much that that little hand tool will do for me!

There's nothing so painful as banging ones head up against a desk trying to figure out the method while hearing all the other things I need to do snickering in the background.  Harumph.

Carillon, photograph which the above was based on, by Ronnie Doyal

You can find information on Carillon Park in Dayton  here.http://www.daytonhistory.org/